27 March – 1 April 2018

Central Harborfront
Hong Kong

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PERFORMANCE X 4A

Presented in partnership with 4A Centre for Contemporary Asian Art, PERFORMANCE X 4A returns to Art Central with a series of interactive and live works that address contemporary concerns of excess and dispossession. 

In an era characterised by polarities, and expansive disparity across societies, the pervasive sense of tension informs the thematic of the programme. Showcasing leading contemporary artists from across the Asia-Pacific region, the works respond directly to global unease through a series of daily on-site performances. Participating artists include: Caroline Garcia (Australia), FJ Kunting (Indonesia), Sam Lo (Singapore) as well as artist duo Sampson Wong & Lam Chi Fai (Hong Kong).

 

Caroline Garcia

The Vitrine of Dancing Cultures 

Caroline Garcia’s work at the Fair references the seminal performances of Guillermo Gómez-Peña and Coco Fusco. Garcia’s work interrogates the anthropological phenomenon of the ‘ethnographic exhibition’, which has placed subaltern bodies on display in museums, zoos, circuses and theatres throughout history. Garcia develops and builds upon this concept in The Vitrine of Dancing Cultures where the artist’s cis-female, coloured body is encased within a vitrine, confronting degrees of politicisation, as her cultural identity and gender is put on show. The Vitrine of Dancing Cultures is a museographic dance installation that presents auto-ethnographic portraits of Garcia, bringing forth her Filipino ancestry. She engages in a durational dance ritual using a Nintendo Wii to examine the neocolonisation of popular culture and cultural tourism. Through repetition, this performance brings into question an individual's stamina when facing expectations of cultural competence and visibility.

Sam Lo

Progress: The Game of Leaders

In this work Sam Lo invites audiences to participate in a high-stakes game of imagined nation building. Lo poses the question: “Where will you be standing when the First World falls?” Working with giant Jenga blocks, participants are invited to prioritise and select the building blocks of their ideal society. In your nation, will economic progress be favoured over military spending? Higher standards of living or increasing globalisation? As players jockey for top position in the imaginary nation’s guidance, the structure grows more precarious and its foundations ever more compromised. The game can only end one way.

FJ Kunting

TALK & Goal: Strong Relationship, but first, talk!

FJ Kunting presents two durational performances as a part of PERFORMANCE X 4A. TALK is a durational exercise in the resistance of excess. The artist explores the struggle and the fight for his voice to be heard. Tethered to a contraption of tools and pipes he attempts to speak, however his speech is reduced to bubbles that, over time, envelop him. As exhaustion nears, the futility of his effort becomes apparent with the artist ceasing to struggle and the bubbles slowly disappear. In Kunting’s second performance, Goal: Strong Relationship, but first, talk, language remains the heart of all communication. Kunting examines the ebb and flow of conversation as two figures, faceless except for a spout, appear in a wordless discussion. Talk is reduced to a bubble exchange, with each figure conversing through a stream of bubbles. While infinitely playful, these performances reveal patterns of conversation, exchange and balance in relationships.

Sampson Wong & Lam Chi Fai

Pavilion for our living

This work contemplates the housing crisis currently affecting Hong Kong citizens. The installation invites participants to experience the micro-apartments that many Hong Kong citizens call home. Temporarily simulating one of these apartments within the art fair environs, the exhibition space becomes one of containment. Once inside the simulated space the viewer gains access to audio interviews with micro-apartment dwellers on how they navigate these literal spaces, along with the problems attached to living inside one of these homes.

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